Worlds of Ink and Shadow Read online

  PUBLISHER’S NOTE: This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or used fictitiously.

  Library of Congress Cataloging-in-Publication Data

  Coakley, Lena, 1967–

  Worlds of ink and shadow / by Lena Coakley.

  pages cm

  ISBN 978-1-4197-1034-6 (hardback)—ISBN 978-1-61312-630-1 (ebook) 1. Brontë family—Juvenile fiction. [1. Brontë family—Fiction. 2. Brothers and sisters—Fiction. 3. Authorship—Fiction. 4. Imagination—Fiction. 5. Fantasy.]

  I. Title.

  PZ7.C62795Wo 2016

  [Fic]—dc23

  2015006553

  Text copyright © 2016 Lena Coakley

  Book design by Maria T. Middleton

  The drinking song “Here’s to the Maiden of Bashful Fifteen,” which is quoted on pp. 171–172, was written by Richard Brinsley Sheridan and first appeared in his play The School for Scandal.

  Published in 2016 by Amulet Books, an imprint of ABRAMS. All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, electronic, photocopying, recording, or otherwise, without written permission from the publisher.

  Amulet Books and Amulet Paperbacks are registered trademarks of Harry N. Abrams, Inc.

  Amulet Books are available at special discounts when purchased in quantity for premiums and promotions as well as fundraising or educational use. Special editions can also be created to specification. For details, contact [email protected] or the address below.

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  For Clare

  Are there wicked things,

  not human, which envy

  human bliss?

  CHARLOTTE BRONTË

  CONTENTS

  CHARLOTTE

  EMILY

  CHARLOTTE

  BRANWELL

  EMILY

  ANNE

  CHARLOTTE

  ANNE

  BRANWELL

  EMILY

  CHARLOTTE

  EMILY

  CHARLOTTE

  BRANWELL

  ANNE

  CHARLOTTE

  EMILY

  CHARLOTTE

  EMILY

  CHARLOTTE

  CHARLOTTE

  EMILY

  CHARLOTTE

  EMILY

  BRANWELL

  ANNE

  CHARLOTTE

  CHARLOTTE

  BRANWELL

  CHARLOTTE

  EMILY

  BRANWELL

  ANNE

  ANNE

  BRANWELL

  CHARLOTTE

  BRANWELL

  EMILY

  ANNE

  CHARLOTTE

  BRANWELL

  ANNE

  CHARLOTTE

  ANNE

  EMILY

  CHARLOTTE

  CHARLOTTE

  Afterword

  Acknowledgments

  About the Author

  CHARLOTTE

  CHARLOTTE BRONTË DIPPED HER PEN INTO the inkwell and dabbed it on a blotter. For a long moment she held it over the blank page, waiting. She was writing the final scene of a story, and she wanted it to be . . . transcendent.

  On the other side of the desk, her brother, Branwell, was scratching away. His spectacles sat folded in front of him, and he was bent double over his paper, his eyes only an inch or two away from the words. When Branwell couldn’t get a scene right, he simply went on to the next one—and the next, and the next. Half his page was covered already, she noticed with disgust, and he was writing with his left hand, too. Her brother wrote equally well with either hand, but he chose the left only when he was writing about Alexander Rogue, his magnificently wicked villain.

  “Remember,” Charlotte said. “You’re not to kill off any of our characters without my consent.” Rogue had a nasty habit of dueling with Charlotte’s favorite people. “I had plans for Count Roderick.”

  Branwell shrugged, drawing a red blanket closer around his shoulders. “Pompous nincompoop. He deserved to die like a dog.”

  “He was mine! I was going to have him woo Lady Constance.”

  Her brother smirked. His pen hadn’t slowed its speed throughout this exchange, and Charlotte felt suddenly daunted by the sheer volume of words it produced. Scribblemania, Branwell called it.

  She got up and closed the window against the damp. Below her in the churchyard, the gravestones were vague and indistinct, coming in and out of view as gusts of wind swept the mist across them. Her father’s church, which was just beyond, had disappeared, enveloped by the fog.

  On her return to the desk, she tripped over the heavy muller Branwell used to grind his paints. She pushed it into a corner with her foot and sat down again. “Your attempts to annex this room for your own use have not gone unnoticed,” she said.

  They were in the children’s study, as they had always called it, a small upstairs room with no fireplace. Half a dozen of her brother’s unfinished paintings sat on easels or leaned against the walls, his bed was pushed up into a corner, and his wooden paint-box lay open by the desk, spilling out brushes and packets of expensive pigments ordered from Leeds.

  Branwell gave a loud, barking laugh, slapping his hand on the desk, seemingly delighted by one of his own turns of phrase. Charlotte clenched her teeth, sure he was purposely ignoring her. She had missed her brother when she was away at school, had waited eagerly for his letters, but now that she was home for good, everything about him vexed her.

  “Do you hear? The children’s study has always been for all of us.”

  Branwell was beyond hearing. With a twinge of envy, Charlotte saw that his mind was in that place where the real world falls away.

  All those words, she thought. If someone straightened Branwell’s writings into a single line of black ink, would it circle the globe? She had written like that once, for the sheer joy of being in invented lands, not caring whether the words were good, whether they were art.

  Her brother threw her a glance—such a strange, ecstatic look in his blue eyes. Charlotte sat up straighter in her chair. There was something feverish in that look, as if something were burning her brother up from the inside. It gave her pause. Like the gravestones coming into view when the wind tore the mist away, Charlotte saw her brother. Truly saw him.

  The blanket he wore was an old ratty thing, but on him it looked dashing, like a bullfighter’s cape. There were red wisps on his chin that a generous person might call a beard, and he was wearing his carrot-colored hair long and loose, in an artistic fashion that suited him. Branwell had turned seventeen that summer, and even Charlotte had to admit he was becoming rather handsome.

  And yet . . . how thin he was, and pale, with something frenetic about those ever-moving fingers. Both he and Charlotte were ill more often than their sisters; they felt the cold more keenly; they tired more quickly. Charlotte knew why, but usually she was able to imprison the reason at the back of her mind.

  The light changed. There was something in the room with them that hadn’t been there a moment before, something bright. Charlotte would have seen it if she turned her head, but she kept her gaze on Branwell.

  “What have we done?” she whispered.

  Still writing furiously with his left hand, Branwell lifted his right, palm up.

  “Banny, don’t!”

  Her brother’s eyes were shut now, his face beaming with corrupted joy. His quill fell from his hand. Charlotte held her breath—and as she watched, her brother disappeared.

  “Oh,” she said. The sight still surprised her
after all this time. She glanced to the study door, but they had been careful to shut it, as always. The light was gone. She was alone. “Reckless boy.”

  She leaned over to look at Branwell’s side of the desk. Incredibly—miraculously—his words were still unspooling across the page. Charlotte took up her own pen with determination. In very small, very cramped handwriting, she began to write.

  EMILY

  EMILY BRONTË OPENED THE STUDY DOOR A crack, peering inside. “They’re gone,” she whispered. She and her sister Anne slipped in, closing the door behind them.

  “Goodness, where is the floor?” Anne said.

  Branwell’s books and painting things littered the room, and his bed was unmade. By mutual agreement Tabby, the Brontë family servant, didn’t enter the children’s study, and so it was the only place in the parsonage where untidiness was allowed a foothold.

  “I was wondering where all our teacups had gone,” Emily said, looking around. “But for heaven’s sake, Anne, you mustn’t get distracted and begin straightening things.” She opened the window to dispel the scent of linseed oil and turpentine. “Anne?”

  Her sister was staring at the desk now, a mix of fascination and aversion on her face. “I shall never become accustomed to that.”

  Emily came up beside her. It was uncanny, she had to admit. Two papers sat on opposite sides of the desk, writing themselves. If their siblings had been present, Anne and Emily would have heard the scratching of their pen nibs across the pages—not to mention Branwell’s nervous humming, mumbling, and foot tapping—but these words appeared in perfect silence.

  “What should happen if the paper ran out?” Anne asked.

  “Their writing is so small it never does.” This wasn’t entirely true. Once, Emily had seen a story of Branwell’s write on top of itself again and again until the paper was black, but the sight had so unnerved her that she decided not to mention it to Anne.

  “I don’t like it.”

  “These are not the stories we’ve come to read,” Emily said, turning away. With her foot, she pushed aside a braided rug and knelt down, lifting a loose floorboard. Underneath was a small space where Charlotte and Branwell kept their finished writings.

  “Couldn’t we simply ask to read their work?” Anne said. “They’ve always allowed it before. We don’t have to steal.”

  Emily glanced again at the desk, eyes narrowing. Charlotte and Branwell were far away now, in fantastical worlds they refused to share.

  “Admit that I’m willing to eat the crumbs from their table?” Emily lifted her chin. “Certainly not. And we’re borrowing, not stealing.”

  CHARLOTTE

  VERDOPOLIS. CHARLOTTE’S EYES WERE SHUT, but she knew she was no longer at her desk; the little parsonage in Yorkshire was far away.

  A party. The final scene of her story would be a grand party.

  The lovers had been tested. Insurmountable obstacles had stood in their way, but now their trials were over. They were married. All of Charlotte’s characters, major and minor, would come together for a celebration. At a certain point, the new wife and the new husband would see each other across the room and share a knowing look, and anyone reading Charlotte’s story would sigh with contentment, because that look would somehow contain all the couple’s happiness, and prefigure all their golden days to come.

  Yes, Charlotte thought. That was how it would be. She imagined room after dazzling room in readiness—fires glowing, silver gleaming, glassware sparkling on ornate tables. She opened her eyes.

  A beautiful woman in gossamer silk floated through the fine rooms, making a last inspection before her guests arrived. It was Mary Henrietta Wellesley, the new bride. Shyly she nodded at the footmen in velvet and gold. Though of high birth, she had been raised modestly and was unused to having so many servants. Charlotte was no longer sitting. Instead she crouched behind a crimson curtain.

  “Who’s there?” Mary Henrietta cried. “Show yourself!” She turned to alert a footman.

  Charlotte stepped out, and for one horrible moment she was herself, a plain girl in a mouse-colored dress, too small, too ill-favored to belong anywhere in this world. She looked down at her worn shoes on the gleaming marble, murmuring under her breath: “Eager for the party to begin, Lord Charles had dressed early, and now had nothing else to occupy his childish temperament but to harass his poor new sister.” Somewhere far away in Haworth, these words appeared across Charlotte’s story paper.

  “Oh, it’s you, Charles,” Mary Henrietta said with a merry laugh. “Don’t frighten me so.”

  Charlotte, now a boy of ten in a blue velvet suit, capered across the floor. “Will the Duke and Duchess of Fidena be here? And the Earl of St. Clair? And the young viscount?” Her high boy’s voice echoed in the enormous room.

  “Of course.” A shadow passed across Mary Henrietta’s lovely face. “Unless they receive a better invitation.”

  Charlotte flopped down on a brocaded sofa as if she owned it, which, as one of the Wellesley heirs, she did. “Don’t be foolish. You’re a duchess now, and a Wellesley. There is no better invitation than ours.”

  “I suppose not.” Mary Henrietta sat down on the edge of the sofa, careful not to wrinkle her gown. “I wouldn’t mind so much for myself if no one came, but . . . I’d like everything to be perfect for him.”

  Charlotte rolled her eyes, something she would scold Emily for doing back home. “Zamorna thinks everything you do is perfect. He is besotted with you, as well he should be.”

  “Perhaps.” Mary Henrietta did not look reassured. “It’s just . . . he’s had so many wives and lovers before me . . .”

  Charlotte sat up. She hadn’t meant for the conversation to take this turn. “It’s you he loves now.”

  “Yes.” Mary Henrietta tugged at one of her chestnut curls. Her hair was not yet done for the party, and it hung prettily around her shoulders. “So he says.”

  A story’s happy ending was no time for marital doubts, in Charlotte’s opinion, but sometimes, in spite of her best efforts, her characters would drift away from the plot like recalcitrant sheep, as Mary Henrietta was doing now. She often felt that being an author was like being a sheepdog, always snapping at her characters’ heels to keep them on track.

  “Mary Henrietta looked down to smooth her dress,” she said, “and when she looked up again, the troubled expression upon her face had melted away, replaced by a new bride’s glowing smile. ‘of course he loves me,’ she said, and Zamorna’s sordid past was quickly forgotten.”

  Mary Henrietta neither noticed nor acknowledged these words, but she looked down to smooth her green silk, and when she looked up, her face did indeed glow with happiness. “Of course he loves me,” she said. “Forgive my foolish talk, Charles.”

  “Milady! There you are!” Mina Laury, Mary Henrietta’s faithful maid, burst in clutching a handful of ribbons in different lengths and colors. “We haven’t finished with your hair, and your guests will be arriving soon.”

  Mary Henrietta glanced at the ormolu clock with jeweled hands sitting on the mantel. “Oh dear!” she said, leaping up. She gave Charlotte a kiss by way of good-bye and darted off with her maid.

  Charlotte was left touching her cheek where Mary Henrietta’s lips had been. One of the benefits of playing Charles Wellesley was that every time Zamorna married, she got to have an elder sister again for a little while. She laughed and ate a walnut from a cut-glass bowl, then sprang from the sofa, going out through the tall French doors and onto the balcony. A warm breeze washed over her, perfumed with jasmine. It was never cold in Verdopolis, never damp. The sun was setting behind her, and a sliver of moon was already rising above the magnificent Verdopolitan skyline.

  I made this, she thought. All this is mine.

  She said aloud: “All the church bells in the city began to ring the hour, but loud as they were, they could not drown out the clatter of approaching wheels and the whinnying of fine horses.”

  Before she had even finished the se
ntence, the chimes of St. Augustin and St. Michael’s began to ring in unison. Then, to her delight, the carriages arrived, gilded carriages decanting tiny-waisted ladies in brightly colored silks, frothy with lace. Golds, greens, and crimsons dazzled the eye: Colors were richer in Verdopolis than anywhere else. Charlotte caught glimpses of dainty, satin-sheathed feet as the ladies stepped lightly to the ground, assisted by handsome, slim-hipped gentlemen with piercing eyes and aquiline features.

  She leaned over the balcony railing, waving and shouting with abandon at the guests. She didn’t worry about falling, didn’t worry about being unladylike. After all, she wasn’t a lady; she was a ten-year-old boy.

  She turned back inside and ran through room after room, stopping at the entranceway just as a pair of footmen in powdered wigs swung open the great doors. Up the staircase like a glittering tide, the party guests arrived. She stood aside and let them all go by in a swirling, chattering, laughing wave. Charlotte knew them all, but since she was a young boy, they took little notice of her, and that was as she wanted it.

  A moment later, the party’s host and hostess came out to greet their guests. All eyes turned to them, the wealthiest and most fashionable couple in Verdopolis: Lord Arthur Wellesley, Duke of Zamorna, eldest son of the Duke of Wellington, and his latest bride, the incomparable beauty Mary Henrietta. Immediately Mary Henrietta was surrounded by admirers, and the duke was pulled to the other side of the room by his own coterie of friends.

  “Stop!” Charlotte said. The room fell silent. All were still. Gentlemen were frozen in the act of bowing to young ladies or lighting their cheroots or accepting glasses of punch from elegant servants. Ladies were frozen as they blushed behind their fans or admired the fine paintings on the walls.

  Charlotte, the only moving person in the room, wove through the crowd, adjusting a stray curl here, straightening a bow there. She stopped in front of Zamorna.

  Her hero was as handsome as the statue of a Roman emperor—tall, with a high, noble forehead, loose curls, and arresting brown eyes. Even frozen, he took her breath away. He was so aloof, so arrogant, so aristocratic. Zamorna had been the main character of Charlotte’s stories ever since she was a little girl. Whenever Branwell’s villain, the wicked Alexander Rogue, tried to rob a bank or assassinate someone or kidnap a young lady, the Duke of Zamorna was always there to save the day. Women were his one weakness, but now that he had found Mary Henrietta, his days of ensnaring highborn ladies with his famous “basilisk gaze” were surely over.